Showing posts with label Dear Author Dearest. Show all posts
Showing posts with label Dear Author Dearest. Show all posts

Friday, August 1, 2014

Dear Author Dearest

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Dear Author Dearest,

I just finished my first draft. Should I query agents or just go ahead and self-publish?

Sincerely,

Excited Writer




Dear Excited Writer,

First: Congrats on finishing a novel! That’s a huge accomplishment.
Second: You should do neither.

Let me know if you have any more questions.

Sincerely,
Author with Sage Advice


~~~~~


Dear Author Dearest,

A follow up question … what would you recommend I do now if I’m not to query agents or self-publish?

Sincerely,

Still an Excited Writer (despite your previous advice)



Dear Still an Excited Writer,

Before making the decision to query agents or self-publish, I highly recommend you do the following:
1.      Read books on the craft of writing (see recommended list below).
2.      Revise your manuscript based on the knowledge you gained from the reading assignment.
3.      Join up with critique partners and let them rip apart your manuscript.
4.      Revise your manuscript again based on the feedback you received from critique partners.
5.      Have a couple of beta-readers go through your manuscript with fresh eyes.
6.      While they’ve got your manuscript, read another book on the craft of writing.
7.      Revise again.
8.      Repeat the above steps as many times as necessary, until you’re certain your manuscript is as polished as humanly possible. Then you’re ready to consider your various publishing options.

Happy revising,
Author with Sage Advice


Margo Kelly’s Recommended Books on the Craft of Writing:
The Elements of Style by Strunk & White
Save the Cat by Blake Snyder
Self-Editing for Fiction Writers by Browne & King
The Story Book by David Baboulene
Writing YA Fiction for Dummies by  Deborah Halverson
The Fire in Fiction by Donald Maass


Margo Kelly’s debut novel, Who R U Really?, comes out 9/18/14. You can pre-order your copy today: http://www.amazon.com/Who-R-Really-Margo-Kelly/dp/1440572763/ref=sr_1_1?ie=UTF8&qid=1406569291&sr=8-1&keywords=who+r+u+really

Kirkus Reviews said, “Kelly's first novel is a suspenseful page-turner...”

You can find Margo online:
Twitter: @MargoWKelly
Facebook: https://www.facebook.com/MargoKelly.author
Website: http://www.margokelly.net
Goodreads:  https://www.goodreads.com/book/show/21444891-who-r-u-really

Friday, July 25, 2014

Dear Author Dearest


Dear Author Dearest...

“I’m an aspiring author. I’ve finished my manuscript, but keep getting rejections. What do I do?
                 -Sincerely, Stuck in Query Land 

First of all, every author has received his or her share of rejections. Isn’t it nice to think even the greatest best-sellers were told… “Nope. Not good enough” at one point in their career? That always gave me hope. Just because Ms. Agent is being a picky-pants on the day she scanned your query doesn’t mean you should toss out your book baby.
 
Despite all the “stay positive” mumbo jumbo, it still stings when you get that form letter in the mail.

So…what do you do when you can’t hook the big fish agent?


In my experience it’s all about who you know. Now maybe that’s just me. Maybe there are a ton of authors who queried, agented, and sold, but that isn’t my story. 

I got picked up at a writer’s conference.

A writer’s conference can help in a ton of ways. First, it will put you face to face with agents/editors who can clue you in on why they think you're getting turned down. The other awesome thing about the conference is it will give you the opportunity to revisit and work on your query, synopsis, first ten pages, etc. It’s always nice to have fresh eyes review your work. Not to mention you might actually meet some pretty amazing people.

Hope my advice helps! Good luck, and keep writing.

Remember, this is actually the fun part. You have all the free time and creative license in the world right now. No deadlines, no redrafting the storyline. Enjoy the freedom of writing when you please. It’s never the same with the pressure of a deadline stressing you out… 


-- Jessica Therrien, author of Oppression (Children of the Gods #1) and Uprising (Children of the Gods #2)

Connect with Jessica Therrien

Friday, July 18, 2014

Dear Author Dearest



 

DEAR AUTHOR DEAREST:


Do your stories grow organically or do you know the certain capstone events and develop stories around them? OR Do you write more character-centric or plot/event-centric?

I consider myself an organic/character-centric writer for sure. Story usually starts with a ‘what if’ for me. Pretty Dark Nothing, for example, started with the question ­­– What if a teenage girl’s inner demons came to life and nobody else could see them? From there, I move on to character. Everything grows from there as I ask question after question. What would this girl be like? What is her personality? What kind of friends would she have? What kind of background/family/house would they live in? What are her flaws? What does she want out of life? Why is she being haunted by demons nobody else can see? How does this affect her decision making, her relationships, her life? The story develops from these answers as the answers spark ideas for scenes. I do this for all the characters, even minor ones, and use a character interview and personality tests to help me make them real to me. I consider all of this pre-work. Some writers outline as pre-work, but I prefer this kind of brainstorming to a hard outline. I love discovering what happens along with my characters. It’s exciting to me and tends to create more chances for the unexpected to happen. That being said, before I ever put words to page, I usually have at least some idea of the ending and maybe one or two high moments, but not much. The story flows out of action and reaction for me. Throw my character in a situation and see what happens.


DEAR AUTHOR DEAREST, 

Any chance you would be willing to share your winning query with readers?

Yes! Here is the query that got me several full requests, and ultimately, a two book deal for Pretty Dark Nothing. Best advice I can give is to try to get the maximum impact possible out of every sentence. Find the absolute best words to communicate the essence of your story without going into too much detail. It’s a hard balance, but focusing on what happens rather than who it happens to, helps. Also, don’t put in info about sub plots or secondary characters. Another thing that really helps is to tailor each and every query you send out. It’s a lot of work, but I promise it’s worth it in the end. And without further ado, here’s my example.


Dear X,

Your wish list states you are currently looking for paranormal romance in a high-school setting with something other than vampires or demon love interests. My completed 60,000 word YA paranormal romance, Touched by Darkness, does have demons in it, but not the sexy bad boy kind. Quinn’s demons are shadowy beasts and not the least bit loveable.

Seventeen-year-old Quinn hasn’t slept in twenty three days. Not since the demons killed her Sentinel. Without his protection they freely enter her dreams, whisper of her death and feed on her fears and self-doubt. Now, she’s on academic probation, benched from cheerleading, and popping caffeine pills to keep them away. The demons are ruining her life until Aaron, an amnesiac with a psychic ability, accidentally enters her thoughts. He’s the light in her darkness and she’s the key to his past, but the last thing the demons want is for them to be together. If Aaron remembers his life as Kaemon, Quinn’s dead Sentinel now living inside the stolen body of the boy known as Aaron Collier, their combined power could tip the scales for good. To keep them apart, the demons must convince Quinn that Aaron will turn his back on her, that he’ll confirm her worst fear; that she’s crazy. Quinn must learn to trust her heart before the demons lead her to her death. In the end, it’s her choice: Love or lies, faith or fear, darkness or destiny.

I’m a member of SCBWI and a graduate of the Institute of Children’s Literature. I’ve been a guest blogger for the award winning Writer Unboxed website, am founder of the newly launched Hugs and Chocolate blog for YA writers. I also frequent twitter @HeatherLReid, Facebook and my own website.

I hope you enjoy Touched by Darkness. I would be happy to send partials or the completed manuscript if you should like to see them. I look forward to hearing from you soon.

Yours sincerely,
Heather L. Reid


DEAR AUTHOR DEAREST, 

What has been the most challenging part of getting your book from draft zero to published for you?

Great question! There were so many challenges getting from draft zero to published writer, including throwing out half the novel and starting over, that it’s hard to pick one in particular. I guess, looking back, the hardest thing was deciding when to start querying. On one hand, I worried I would query before the book was perfect, on the other; I feared I was holding on so tight that I would squeeze all the heart from my story. There had been so many revisions already. So many tweaks, input, critiques, ideas, and changes had gone into the quest to make it publishing perfect, that I wasn’t sure if the story was better or worse for it. But at some point you have to let go, take a leap of faith, and see what happens, right? For me, that moment came when I realized I was playing with sentences and word choice and no longer working on the big picture. The major issues, as far as I could see, had been dealt with. Now I was nit-picking my novel to death to make it perfect and I couldn’t see any significant changes. At this point, I had done all I could do with the skills I had. It was time to take a deep breath, and leap. I got a lot of rejections, and made a few more little tweaks before I got the deal, but in the end, I’m glad I listened to my gut and took that chance.


Thank you to all of my followers who took the time to ask me your burning questions. It was hard choosing three, but I’m happy to respond to any other questions here in the comments, so ask away! If you have something you don’t want to ask on a public forum. You can also find me online on Twitter, Facebook, Tumblr, or My Website.  Feel free to private message me and I’ll do my best to answer your question.


Heather L. Reid is both American and British and has called six different cities in three different countries, home. Her strong sense of wanderlust and craving for a new adventure mean you might find her wandering the moors of her beloved Scotland, exploring haunted castles, or hiking through a magical forest in search of fairies and sprites. When she’s not venturing into the unknown in her real life, she loves getting lost in the worlds of video games or curling up by the fire with good story. For now, this native Texan is back in the Lone Star State, settling down with her Scottish husband and working on the sequel to her Young Adult paranormal debut, PRETTY DARK NOTHING.

Friday, July 11, 2014

DEAR AUTHOR DEAREST....by Cherie Colyer





DEAR AUTHOR DEAREST:
Source


     "What's your take on voice? Some people say it can't be learned. Do you agree?” 

Yours Truly, 
Frustrated Writer





Voice. It’s something every novel has. It brings the characters alive. It’s unique and beautiful and as important as plot. A novel lacking voice is doomed to fail. So what’s a writer to do when their work lacks voice? The answer to that is study their craft.

I don’t believe voice is something that can be learned. Don’t leave just yet. Most importantly, don’t stop writing, because odds are your voice is there. You just haven’t discovered it.

Voice is unique to the writer. It combines the distinct point of view, style, and personality of a piece of literature. It’s diction, character development, punctuation, dialogue, etc. If your work lacks voice, then you need dig deeper within yourself to find it. Here are a few exercises to help you develop your voice.

Think of your favorite character—one that has left an impression on you. Now read the first few pages of that book. Pay close attention to the protagonist’s dialogue, the choice of narrative words and how they are used to describe the scene. Note the character’s body language and what she’s doing. Her social status. Her internal thoughts. All of these elements make up the voice of the novel.


  • List the qualities of the protagonist, good and bad.
  • What do you know about the character?
  • Her social status, temperament, fears and/or likes.


Since dialogue and personality traits are an important part of voice, your character has to be well developed. If you’re writing young adult, go to places teens hang out and listen to their conversation. Watch how they interact. If you’re writing adult or middle grade fiction, same thing. Go to places where you can observe.  Then go back to your manuscript and revise adding action and thought.

This next exercise includes your favorite television show or movie, so go ahead and make some popcorn, grab a cold drink, and kick up your feet. Only, this time when you’re enjoying the show pay close attention to all the things listed above. Watch the characters actions. Listen to their dialogue. Note their ticks. Identify what makes them unique. That’s voice.

Now take a look at the first pages of your novel. Create a personality outline of your character. Look at the diction and dialogue. Does it match your characters' social status, world, age?

Revise and repeat if necessary. With practice, you will find the right voice for your work in progress.

 -- Cherie Colyer, author of Embrace, Hold Tight, and Challenging Destiny

Connect with Cherie Colyer


If you have a question for Dear Author Dearest, email darklydeliciousya(at)gmail(dot)com with Dear Author Dearest in the subject line.