“Everyone is a moon, and has a dark side
which he never shows to anybody.” ― Mark Twain
I don’t remember when they started—the
dreams of faceless entities, of black figures standing by my bed whispering in
the deep shadows of my childhood room. Sometimes I would wake from their dark
grasp and find my six-year-old self standing at the end of my parent’s bed, or
in the kitchen, or walking down the hallway. Other times I would suffer from
sleep paralysis, trapped between dream and reality, a scream trapped in my
throat.
Some nights, fear gripped me so tight I
thought my lungs were being crushed under the weight of it. Books kept me
company, kept me awake, kept me from falling into the arms of the monsters waiting
for me on the other side of sleep as I huddled under the covers with a
flashlight, stuffed animals standing guard around my bed.
A bible stayed tucked beneath my pillow, a
cross around my neck, anything to ward off the evil stalking my dreams. The darkness
both terrified and fascinated me and as I grew, I found myself drawn to all the
shadowy terror my dreams were made of.
Childhood stories were replaced with novels
by Christopher Pike, Dean Koontz, Stephen King, Lois Duncan, and V.C.Andrews.
My mother would often catch me reading non-fiction about the occult, hauntings,
demons, tarot, spirit boards, anything mystical, but she never made me feel
ashamed of my obsession. Perhaps she sensed I was seeking a way to make sense
of it all, to rationalize the irrational. For how can you recognize the light
if you don’t understand the darkness?
The more I shined a light on my darkness,
the quicker the nightmares faded. I still don’t understand what caused them or
what they meant, but one day they no longer held power over me. The fear may be
gone, but the shadows of those nightmares have never truly left me. I guess
it’s not surprising that those experiences, so vividly etched upon my
imagination and tightly twined around my soul, would find their way into my own
writing. With the sun watching my back and the darkness in front of me, I
delved into the world of the tainted, broken, haunted — first with short
stories and dark poetry and then into the novel that would become my debut, Pretty Dark Nothing.
In Pretty Dark Nothing,
I wanted to write about a girl facing her own darkness. What would happen if
her nightmares manifested in her reality and she was the only one who could see
them? How would fear, the self-awareness that what she was seeing might be
real, but shouldn’t be, affect her everyday life, her relationships, her
ability to trust herself, to trust others, and to make decisions.
I chose demons as metaphors for the
darkness that lives inside all of us, the personification of that still small
voice inside that perpetuates negative thought and twists the truth. They feed
on the darkness living inside humans and exploit and magnify the insecurities
and self-doubt they find and use it to gain power and create chaos.
While I’ve never seen a live demon, I hope
my night terrors have been put to good use, to create a story rich in creepy
atmosphere and emotional brokenness. I admit that at times it’s been terrifying
to conjure up old nightmares and pick at the scars of fear left on my psyche,
to bleed some of my own darkness onto the page, but watching Quinn fight demons
helped me remember to always be wary of my own.
I thinks it's great that you were able to conquer your nightmares and use their memories in your writing. Great post. =)
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